"The preponderance of certain directors added to the sometimes clubbish vibe: In 1972, Welles and Ingmar Bergman alone..."

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"... were responsible for more than a third of what the respondents considered the greatest films of all time.... But when this year’s Sight and Sound list was unveiled on Dec. 1, the list featured surprises galore. Nearly half of the elite Top 10 were newcomers, including No. 1 — a title that very few people saw coming …Chantal Akerman’s 'Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles.'... And she’s not alone. Claire Denis’s 'Beau Travail' is joining her.... Akerman and Denis, the first women to ever appear on the list, made it into the Top 100 in 2012 …"

From "What Makes a Movie the Greatest of All Time?/The much-respected Sight and Sound poll of the best films ever shows that what is valued onscreen has changed over time, sometimes radically" (NYT).

This is an excellent graphic depiction of the history of the poll.

I quoted the part that goes along with the hypothesis I faintly sketched in yesterday's post about the poll "It’s a list of something. The question is what"

... I don't need these critics trying to make up for all their past decades of boosting the work of male film directors... if that's what's going on here.


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"The preponderance of certain directors added to the sometimes clubbish vibe: In 1972, Welles and Ingmar Bergman alone..." "The preponderance of certain directors added to the sometimes clubbish vibe: In 1972, Welles and Ingmar Bergman alone..." Reviewed by Admin Blog on 9:51 AM Rating: 5

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