"By 1532, Giulio Camillo, a professor at Bologna, suggested a means for transforming the mind through a uniquely powerful memory system of his own creation."

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"The Memory Theater of Giulo Camillo, as it came to be known throughout sixteenth-century Europe, consisted of a wooden memory palace shaped in the form of a Roman amphitheater."

Writes Richard Restak in "The Complete Guide to Memory: The Science of Strengthening Your Mind," pointing to this visualization:

Restak continues:

In Camillo’s theatre, the spectator—representing the practitioner of the art of memory—stands on a stage facing the seats that are arranged as a seven-tiered structure with seven aisles extending from top to bottom. On each of the seven aisles are doors representing the seven planets. These doors are decorated with images of Cabalistic, Hermetic, and astral figures. 

On the underside of each of the seats in the theatre are drawers containing cards that detail everything that was known at that time or even potentially knowable. Camillo wrote of his theatre that “by means of the doctrine of loci and images, we can hold in the mind and master human concepts and all things that are in the entire world.” 

In describing his memory theatre, Camillo compares the process of achieving wisdom via the cultivation of memory to the experience of being immersed in a dense forest. At first, the desire to see the whole extent of the forest is frustrated by the surrounding trees. But if a way can be found of ascending along the slope, it becomes possible to see a large part of the forest’s form. When the top of the hill is reached, the entire forest can be seen. Camillo suggests that “the wood is our inferior world; the slope is the super celestial world.”... 

In this process, images drawn from religion are imprinted on the mind with sufficient strength, that when a person bearing this imprint returns to the everyday world, the external appearances of that world became spiritually unified through the power of memory.

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