"[Carmen] Mola is best known for a trilogy starring a 'peculiar and solitary' female police inspector 'who loves grappa, karaoke, classic cars and sex in SUVs'..."

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"Last year, a branch of Spain’s Women’s Institute listed Mola’s 'The Girl,' a part of the trilogy, as one of the must-read books and films by women that 'help us understand the reality and the experiences of women.'... Only the writers spinning these tales were really Jorge Díaz, Agustín Martínez and Antonio Mercero — established Spanish television scriptwriters in their 40s and 50s. 'Carmen Mola is not, like all the lies we’ve been telling, a university professor,' Díaz said after winning the Planeta prize, the Financial Times reported. 'We are three friends who one day four years ago decided to combine our talent to tell a story.'"

From "A woman won a million-euro Spanish literary prize. It turned out that ‘she’ was actually three men" (WaPo).

The WaPo article, by Miriam Berger, is silly enough to begin: "The work of one woman was, it turned out, the equivalent of the labors of three men." There was no "work of one woman." There was never anything other than the work of 3 men. There's no reason to act as though 1 woman = 3 men. The woman does not exist. 

They claim they made up the pseudonym for fun and without an idea that it would serve their interests to hide inside a female identity. They seem to feel pressure to deny that they used femaleness to sell books.

Is womanface reprehensible? 


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"[Carmen] Mola is best known for a trilogy starring a 'peculiar and solitary' female police inspector 'who loves grappa, karaoke, classic cars and sex in SUVs'..." "[Carmen] Mola is best known for a trilogy starring a 'peculiar and solitary' female police inspector 'who loves grappa, karaoke, classic cars and sex in SUVs'..." Reviewed by Admin Blog on 1:50 PM Rating: 5

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