"Nearly a year of being disheartened by the online garishness and promotional smarm of digitized images has set me up to rediscover the pungency of direct aesthetic experience."
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"There can be no meaningful discourse about art divorced from that. Intellectual appreciation starves for want of it. The less you see, the dumber you get."
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"There can be no meaningful discourse about art divorced from that. Intellectual appreciation starves for want of it. The less you see, the dumber you get."
Writes Peter Schjeldahl in "The Revelations of an Unlikely Pairing/In a show at Zwirner, the soft cosmos of Giorgio Morandi’s domestic tableaux is relieved and refreshed by the architectonics of Josef Albers’s squares" (The New Yorker).
How awful is it not to be looking directly at paintings? Schjeldahl takes a strong position.
Terima kasih karena telah membaca informasi tentang "Nearly a year of being disheartened by the online garishness and promotional smarm of digitized images has set me up to rediscover the pungency of direct aesthetic experience." . Silahkan membaca berita lainnya.
"Nearly a year of being disheartened by the online garishness and promotional smarm of digitized images has set me up to rediscover the pungency of direct aesthetic experience."
!["Nearly a year of being disheartened by the online garishness and promotional smarm of digitized images has set me up to rediscover the pungency of direct aesthetic experience."]()
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